알라딘 전자책

검색

50종류의 그림이 들어있는 루브르 박물관 (The Louvre: Fifty Plates in Colour, by Paul G. Konody , Maurice W. Brockwell)

뉴가출판사

Paul G. Konody , Maurice W. Brockwell

2020-11-16

대출가능 (보유:1, 대출:0)

책소개
저자소개
목차
50종류의 그림이 들어있는 루브르 박물관.The Louvre: Fifty Plates in Colour, by Paul G. Konody , Maurice W. Brockwell
PREFACE
THOSE who wish to make a thorough, comprehensive, and systematic study of the
pictures of the great national collection contained in the Louvre, which extend
from the early years of the fourteenth century down to almost the present day,
will be well advised to deal with the artists by the countries, schools, and periods
to which they belong. That is the scheme which we have followed here.
We do not hesitate to refer to painters, especially those of the Italian schools,
under the names by which they are generally known to modern critics, as
opposed to those under which they are officially catalogued by the Louvre
authorities. Thus, Raphael, Titian, and Giulio Romano, and not Santi, Vecelli, and
Pippi, are the names which we shall use in this book. Special attention is drawn
to the fact that the official attributions of a certain number of the pictures, mainly
of the Italian schools, and notably several by Raphael, Leonardo da Vinci, and
Titian, are not accepted by us.
The authors of any critical book on a large national collection which includes
several hundred Italian paintings of varying importance must of necessity be
under heavy obligations to Mr. Berenson, whose scholarly, scientific, and
constructive criticism, following on that of Morelli, has entirely revolutionised the
study of Italian art.
It will be noticed that in many instances the dates used in these pages do not
coincide with those given in the official Cataloguesvi and repeated in a large
number of text- books, while in a few cases it has been thought desirable to draw
the attention of the student to the questionable accuracy of some of the titles
and “ pedigrees.”
The illustrations which have been selected represent, as far as possible, the
whole range of the art of each country and school comprised within the limits of
the fifteenth to the nineteenth centuries. The Plates are arranged in the order in
which reference is made to them in the text, but it has been found impossible to
place them opposite the pages on which the critical remarks are given.

공지사항

등록된 공지사항이 없습니다.

공지사항 더보기